Improv sure looks tough, and it can’t be any easier when you’re asked to riff on something as depressing as the economy, but that’s exactly what happens here to great effect. I was hired to make a promo for The Theater of Public Policy, which brings in featured experts for interviews on serious topics and then proceeds to pick it all apart with humor, courtesy of a group of Minneapolis’s best improv performers. If you’d like to see the full one-hour show, you can watch it here.
Many clients are intrigued by the LED lights I use, so I thought I’d explain their advantages. The benefits of LED lights are numerous: they’re quick and easy to set-up, they’re dimmable 0%-100%, they’re daylight temperature balanced so they’re easy to mix with sunlight, their low heat output lets on-camera talent stay comfortable and makes break-down faster, they use so little power you can put five or more lights on one household circuit, plus these models can be IDX-battery powered for shooting literally anywhere in the world. The lights I use are manufactured by Flolight. Lightpanels also makes very good LED lights, but I did a side-by-side test at rental house Cinequipt and found that Flolights were much brighter. They’re now my #1 lights for interviews, and I still have my four-light Arri tungsten set plus a Dedolight for when more light is needed (e.g. lighting sets or backdrops). When you need interviews shot quickly and efficiently, LEDs are a fantastic answer. Here are some screengrabs and a photo from recent shoots. The interview screengrab is from a shoot in which I used LEDs and a background practical lamp. The other set-up used LEDs on the talent and Arri lights on the background paper.